Meanwhile… back in Rehearsal…

Last night’s rehearsal was splendid. If, in your language, splendid is defined as: the passing of two hours during which amiable conversation is made concerning blood, guts, howling winds, putrescence….well, you get the idea….basic dinner conversation.

The task in rehearsal last night involved divvying up the lines of the four young ladies playing the Chorus. Apparently the “poor women of Canterbury” have two styles: gross and grosser. Other extremely applicable synonyms include (gotta love dictionary.com) creepy, revolting, disgusting, repulsive. It’s true. Ask anyone in the cast!

After the gag-fest, our SM team got to work spiking the stage. All this means, is that  we are laying down visible tape that marks out the actual dimensions of the stage…it also means practicing your math skills. That’s why I left the numerical conversions to the much more talented Stage Manager!

Can’t wait to find out what comes from tonight’s rehearsal!

Article on Playwrights’ royalty percentages

New York Times article

Some of you may or may not be aware of how the legality and royalty situation works in the theatre, but in recent years, it’s become more and more of an issue where producing organizations are asking for a percentage of future royalties on a play, in order to capitalize on the success of a play after they’ve produced it.  The two producing companies mentioned in this article, The Public Theater and the Roundabout Theatre are two significant stages in new work development, and this is a good step forward to relieve the burden placed on the potential for a playwright to actually see the financial benefit of the success of his or her own work.