Auditons for The Drunkard

Nest week begins the audition ofr the Spring musical,The Drunkard.  W.H. Smith’s The Drunkard lurched onto the stage  in 1844 and has been holding forth with beery charm ever since. With  a  score by Barry Manilow, audiences are wafted   back to a simpler period where “God is good and right is good, but  evil’s not so good, right?” Will our brave heroine, Mary, rescue her drink-besotted husband from the evils of bottled sin? (MTI)

For me, this musical presents in interesting idea about redemption and reconciliation. I beleive that theatre is meant to ask question giving you the oportunity to find these answers for yourself. I beleive it is up to us, the audience to seek and find the answers for themselves. The question this work asks is: How can I change my ways? Or how can I re-build the bridges of broken relationships that I once destroyed. Having come from a family thatwrestled with alcoholism this play espeacially speaks to me