We in theatre today stand on the verge of a crisis. As we emerge out from postmodern realism, a new form pleads to be invented. What this form will look like has yet to be decided, but the up and coming generation of theatre artists must decide whether to continue on the path already set out by the ones that came before, or revolutionize or radicalize theatre as we know it, much like Andre Breton, Maurice Maeterlinck, and Hugo Ball did in the early 1900s- Today’s theatre yearns for a change . Who will be the one to lead it?