Theatre Department Awards 2011

Each year, the theatre department gives out a pair of awards, the Priscilla and Barnabas awards, to the theatre majors who most exemplify our department’s concept of the Servant Artist, willing to serve both backstage and on, using their talents and energies in the art and activity of theatre.

This year’s Priscilla Award was presented to senior Deanna Smith, who has been selfless in her desire to support others, excellent in her ability to manage and organize as a leader, and has expanded her realm of service beyond the theatre into supporting this spring’s faculty dance concert as their stage manager.  After doing excellent work last year in stage managing Murder in the Cathedral and leading the props crew for Importance of Being Earnest, it’s been a pleasure to watch Deanna’s passion and drive become richer as they have been further tempered with patience and compassion.

The Barnabas Award was presented to junior Dave Harris, who has emerged as a strong leader in our department through taking on senior production responsibilities, establishing himself as a role model of willingness and service.  Dave has been a force onstage for several years, playing lead roles in Much Ado about Nothing and A Doll’s House, but over the past year, as he has developed his abilities as a leader and motivator behind the scenes, his spirit and his giving has shown itself in even stronger performances in Three Sisters and The Bald Soprano this spring.

Please join our faculty in congratulating this year’s Theatre Award recipients.

Guest Artist Rich Swingle!

Actor Rich Swingle will be joining us during the first weekend of the upcoming Belhaven Theatre Festival to share his one-man performance of Beyond the Chariots, the story of Olympian Eric Liddell (whose life story served as the basis for the film Chariots of Fire), on Saturday April 9.  He has presented this piece Off-Broadway, at the Edinburgh Fringe Festival, and in the cities of Beijing, Vancouver and Singapore during the Olympic Games.  Rich is the theatre program director for the MasterWorks Festival each summer, is on the board of directors for Christians in Theatre Arts, and was on the planning committee for Media and Arts at the Lausanne Congress on World EvangelizatioRichSwingleHeadshotn in Cape Town, South Africa.

Rich will also be guest speaking with several of our class sessions, instructing a workshop in SocioDrama, and presenting at our weekly Departmental meeting on his experience with the Ivy League Congress on Faith and Action.

Guest Designer — Kate Pierson

We were honoured the last 3 weeks to have Kate Pierson in residence as our Guest Costume Designer.  Kate is a gifted Costumer Designer from the Northwest US and was willing to make the trip to Belhaven in the Deep south and collaborate with us on our current production of Juliet and her Romeo.

I wanted to share her design notes with you and a pictorial form of the costume plot for the show because I think it demonstrates what a challenge this show was to design and chart especially from a costuming standpoint and how a story and concept can be told and supported by the design elements of a production.  Enjoy.

Juliet & her Romeo — Designer Notes

How to dress 8 actors playing 25 roles that are changing in every scene?

Juliet & her Romeo has been one of the most challenging designs I have ever done due to the sheer complexity of the logistics of fitting many different sized bodies into one costume and still retain the believability of character and fluidity of movement for the play.

The first directives that were given to me consisted of ideas of exploration, movement and flight; I wasn’t bound by a time or place, or by a color palette that depicted familial ties (which is often used in costumes for Romeo & Juliet).  Combined with the complexity of the actor/scene/character changes I knew I had to find a style that would support the nature of the play as well as offer some flexibility of style…Steampunk occurred to me fairly early on.

I believed the romantic yet edgy nature of the steampunk style, which melds together the future with the past worked well with the multifaceted direction of the director’s vision.  Because any particular costume piece needed to be worn by several actors as well as be easily donned and doffed I gave them an industrial and romantic functionality to the costumes; using basic black dancewear as the background canvas, adaptable pieces such as coats and vests fronts and a wide range of accessories and costume props with lots of embellishment the costumes became useful tools to help identify the characters.

Steampunk

is a sub-genre of science fictionalternate history, and speculative fiction that came into prominence during the 1980s and early 1990s.[1] Specifically, steampunk involves an era or world where steam power is still widely used—usually the 19th century and often Victorian era Britain—that incorporates prominent elements of either science fiction or fantasy. Works of steampunk often feature anachronistictechnology or futuristic innovations as Victorians may have envisioned them; in other words, based on a Victorian perspective on fashionculturearchitectural styleart, etc. This technology may include such fictional machines as those found in the works of H. G. Wells and Jules Verne or real technologies like the computer but developed earlier in an alternate history.

Other examples of steampunk contain alternate history-style presentations of “the path not taken” for such technology as dirigiblesanalog computers, or such digital mechanical computers as Charles Babbage‘sAnalytical engine.

Steampunk is often associated with cyberpunk. They have considerable influence on each other and share a similar fan base, but steampunk developed as a separate movement. Apart from time period and level of technology, the main difference is that steampunk settings tend to be less dystopian.

Various modern utilitarian objects have been modded by individual artisans into a pseudo-Victorian mechanical “steampunk” style, and a number of visual and musical artists have been described as steampunk.

–Wikipedia

Again Thank you to Kate and all her hard work and effort in collaborating and helping us produce this production.  Please forgive me for the cell phone photos of the renderings they really are beautiful!

Paul Patton, guest artist, playwright and lecturer

100_6107Paul Patton, playwright of Lifting the Veil, shared his lecture The God Talk: The Manipulative Use of Religious Language, at our departmental meeting on September 21.  His lecture was a good warning for our students against using, and allowing others to use, the name of God (and the authority that goes with it) for self-serving ends.

Paul was present for the premeire of his play, directed by senior theatre major Jonathan Dixon, and also shared with several of our classes, including a talk with our Scriptwriting class on generating play ideas from one’s personal history, and encouraged our Acting 2 and Directing class towards “Stewarding the Stirrings of your Soul” by committing to memory those things (scriptures, passages of novels or plays) that stand out as being useful or valuable for further consideration.

Paul’s visit was a significant blessing to our students and faculty alike, and we are thankful for his time with us.100_6096

The Good, the Bad, & the Ugly

Last semester, I was involved in the faculty tenure process here at Belhaven and one of the requirements was to write a paper discussing my worldview in regards to my discipline of theatre & design.  I am happy to say that I was honoured with tenure, and I thought I might share my paper in order to give you some insight into some of the views that shape our department and teaching of this interactive, immersive, & collaborative art form.

I entitled the paper:

The Good, the Bad, & the Ugly

There are easter egg links hidden within the text to serve as my references and citations to some of the people and I quote & examples I give, so feel free to click on them and follow those through as well.

Loving Theatre & the Belhaven Family

I’m a Sophomore here at Belhaven University. I came from out of country to Belhaven, I never got to go to the Art Discover Days, and the one time I got to visit… there weren’t any students on campus, and the theatre department was pretty much empty… It was a scary decision to make without really knowing what I was getting myself into. Luckily for me, there was someone else who was looking out for me, and knew what He was doing.
I arrived at Belhaven shaking in my boots, relatively unexperienced in anything having to do with theatre, but knowing that something was pulling me to this school and this theatre program. I threw myself into the program, not knowing what else there was to do. And somewhere along the long hours in rehearsals, in learning to work the sound board, in working on the sets… I fell in love with it. All I know is that now I can’t picture myself doing anything else.
Someone a few weeks ago asked me if being a theatre major with an emphasis on production sucks you life away. My response: YES! Hahaha, we all feel like that sometimes, especially around show times… it gets stressful. But the truth of the matter is that while being a theatre major consumes large time blocks of your life, it really is just giving you a different and unique lifestyle. It puts you into a ‘theatre’ family. And that’s just what we are here: one big theatre family. It means life is not always a bowl of roses, but it means that we can lean on eachother for support… Loving theatre and striving for excellence worthy of our creator is what we’re all about here. That and the fact that our foundation is Christ means that you share some common ground with everyone here. And though your time is spent in a large dark room for extended periods of time you do it together with your ‘familiy’ creating…… and that is such a thrill.
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New Semester, New Opportunities

Well, this semester started with many changes,  but as we examine the changes and trials God brings our way we are starting to see the silver lining and the new opportunities this is opening up for us.  In regards to the show we started everything a week behind due to some unplanned water shortages and school closure so we were in a scramble to catch up.  But in our desperation and weakness God has opened some new doors to work with new people and renew some old acquaintances.

Thankfully a former student has returned to fill in as our Shop Supervisor and TD keeping the progress moving forward in the shop and working to read our Designer’s (my) mind as best he can. 🙂

Our costumes are being taken care of …. (at least the beautiful gowns) for our upcoming production of “The Importance of Being Earnest” by a company in Michigan called “The Sewing Room”.   Kellie & Kathy have been great and the bonus for us as they are just as excited about doing these as we are about having them made.

Anyway I wanted to share with you how we are using technology to our advantage to try and collaborate from a distance regarding these costumes.

We have started with a blog site that has renderings and and measurement sheets and  a few pattern suggestions with Designer notes and from that have been emailing and blogging back and forth as we go along.

To See our Costume blog check click on this line of text.

To check out Kathy’s blog as she keeps us updated as to her progress click on this line of text.

Hey and if there is anyone talented and ambitious enough reading this blog to tackle any one or more of the men’s costumes rendered on our site and can meet the deadline of in our hands here at Belhaven by Feb. 12 …. Please email me ASAP because we would be a happy to negotiate a deal with you.  — or leave a comment on our blog.

Gearing Up

We are getting ready for the new semester for all the changes and new opportunities that will come our way……

…… but I wanted to take a moment and remind all our current majors to go sign up for a google wave account.

Still not sure and a little uncertain about it please watch the video about it and try to think about all the ways we as a dept. work to communicate with eachother.  We hope to centralize a lot of that through Google wave and need you to have accounts to be a part of this communication shift for us.

Especially stage managers and those needing to receive rehearsal reports.

I see this as a great opportunity to try something new and see if we can make it work to our advantage.

So sign up and give me a wave!  I look forward to waving back with you 🙂

Here is the really long technical video if you are so inclined

Portfolio Day

or Judgement Day….

….as it is sometimes referred to by the students, happened the last Friday of classes.  It is a day for the Production emphasis people in the Dept. and those taking production or deisgn classes to present their semester’s work to the rest of the department.  It is often  preceded by a day of furious activity by those presenting until each display is tweaked just right and ready for public consumption.

This year we had a healthy number of people presenting and I wanted to share some of the pictures of their displays from that day.

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sg1webWe were lucky to be able to have Professor Marc Quattlebaum, the Design & Tech professor from Milsaps join us and help give our presenters feedback on their work, presentations, and displays.  In turn the students are able to process the feedback and apply it.  This in turn helps prepare them for the presentations and interviews they will have as they pursue jobs  or Graduate schools opportunities.

Please leave some feedback for them here as well as the