Celebrating our Heritage

One of the things we have been working on this summer is the updating our Archive that spans the hallway outside the theatre.

Installing the Archive wall Hangings

Installing the Archive wall Hangings

Not only have we been able to cover all of last seasons show (which I will include in this post) but we have been able to celebrate some of the past shows moving backward in our archive.

Wall of History

Wall of History

Celebrating our heritage as a dept., giving recognition to those who have paved the way for the current students.  Thus in an effort to also reach some of you alumni electronically who may not be able to visit the ‘WALL’ I have digitized some representations of what is on the wall.

Juliet and Her Romeo, Fall 2010

Juliet and Her Romeo, Fall 2010

Our hope is you will come back to visit us some day and also take pride in the fact that pictures from the productions you were in are being celebrated by all who come and see our shows as they pass by this wall of history before entering the theatre.

Bald Soprano, Spring 2011

Bald Soprano, Spring 2011

Stay tuned and over the next days and weeks I will post these pictures, and I hope you will take the opportunity to share a favorite moment or story about each particular production by leaving a comment here below. 🙂

Three Sisters, Spring 2011

Three Sisters, Spring 2011

These pictures will come up in no particular order (sorry), if after a couple of weeks you realize your favorite show has not been represented please comment to that as well.  Our archive is far from complete and we would love to have any and all pictures, programs, or other pieces that we could scan and add to our archive.

Archive Wall (so far)

Archive Wall (so far)

Bald Soprano — Production Pictures

Cast & Crew of The Bald Soprano

Cast & Crew of The Bald Soprano

Hey , check out our production pictures from The Bald Soprano.  If you would like to purchase prints or downloads from this production CLICK HERE.

:-)

🙂

My name is Sherlock Holmes!

My name is Sherlock Holmes!


BU_BaldSoprano_0411-167

The Three Sisters opens!

We opened The Three Sisters by Anton Chekhov this past Friday, February 18.  The show is directed by faculty member John Maxwell, and features 3 of our graduating seniors (Danielle Davis, Marie Warner, and Scott Gaines) in their final mainstage performances as students at Belhaven.  We’ve already had great responses from our first weekend audiences, and there are more performances to come – this Wednesday through Saturday!

5th Annual One Act Play Festival!

November 30 and December 1 are the performance dates for the 5th Annual Belhaven University One Act Play Festival!

Since 2006, Belhaven has produced a One Act Play Festival at the end of each Fall semester, a culminating collaborative project between the students in the Directing and Production Supervision classes.  In various years, the production of the festival has also included contributions from students in either Lighting or Technical Resources class as well.

The One Act Festival is produced in a ‘dessert theatre’ format, the audience will sit at tables to enjoy a treat during the performances, which will appear on two stages in the theatre (to shorten the transition time between plays).  Admission to the show is free, and all dessert sales go to benefit Iota Upsilon, Belhaven’s chapter of Alpha Psi Omega national theatre honorary society, sponsors of several community service and performance projects.

In past years, the students of the Directing class were on their own to find the material they would produce, which has given us a variety of material, from short plays by well-known, established playwrights, some lesser-known contemporary writers, and at least once each year, a brand-new original play.  This year, we decided to do something a little different.

The plays this year were chosen as the winners of the 2010 Belhaven University One Act Play Contest.  Scripts were submitted from all over the country by the beginning of September, and were read by the students, who each chose a winning play to direct.  This year, we are pleased to be presenting the following original plays:

Lucy Dreaming by Stacey Lane – directed by Becki Haynes
Los Libros Malos by D. Richard Tucker – directed by Deanna Smith
I, Satan, Confess by Moriah Whiteman – directed by Scott Gaines
Positive Thinking by Seth McNeill – directed by Dave Harris
Borders by Mallory Alexa Leonard – directed by Marie Warner
King Thrush Beard by Rosh Raines – directed by Lex Quarterman
Degrees of Repossession by Bret Kenyon – directed by Danielle Davis

4 of these playwrights are graduates of Belhaven, and 3 we are pleased to welcome as new associates to our theatre program!

With the success of this year’s contest, we are excited to see what next year’s contest has in store!  For more information about submission guidelines and deadlines, send an email to  “theatre at belhaven.edu” with the subject line 2011 One Act Play Contest.

Guest Designer — Kate Pierson

We were honoured the last 3 weeks to have Kate Pierson in residence as our Guest Costume Designer.  Kate is a gifted Costumer Designer from the Northwest US and was willing to make the trip to Belhaven in the Deep south and collaborate with us on our current production of Juliet and her Romeo.

I wanted to share her design notes with you and a pictorial form of the costume plot for the show because I think it demonstrates what a challenge this show was to design and chart especially from a costuming standpoint and how a story and concept can be told and supported by the design elements of a production.  Enjoy.

Juliet & her Romeo — Designer Notes

How to dress 8 actors playing 25 roles that are changing in every scene?

Juliet & her Romeo has been one of the most challenging designs I have ever done due to the sheer complexity of the logistics of fitting many different sized bodies into one costume and still retain the believability of character and fluidity of movement for the play.

The first directives that were given to me consisted of ideas of exploration, movement and flight; I wasn’t bound by a time or place, or by a color palette that depicted familial ties (which is often used in costumes for Romeo & Juliet).  Combined with the complexity of the actor/scene/character changes I knew I had to find a style that would support the nature of the play as well as offer some flexibility of style…Steampunk occurred to me fairly early on.

I believed the romantic yet edgy nature of the steampunk style, which melds together the future with the past worked well with the multifaceted direction of the director’s vision.  Because any particular costume piece needed to be worn by several actors as well as be easily donned and doffed I gave them an industrial and romantic functionality to the costumes; using basic black dancewear as the background canvas, adaptable pieces such as coats and vests fronts and a wide range of accessories and costume props with lots of embellishment the costumes became useful tools to help identify the characters.

Steampunk

is a sub-genre of science fiction, alternate history, and speculative fiction that came into prominence during the 1980s and early 1990s.[1] Specifically, steampunk involves an era or world where steam power is still widely used—usually the 19th century and often Victorian era Britain—that incorporates prominent elements of either science fiction or fantasy. Works of steampunk often feature anachronistictechnology or futuristic innovations as Victorians may have envisioned them; in other words, based on a Victorian perspective on fashion, culture, architectural style, art, etc. This technology may include such fictional machines as those found in the works of H. G. Wells and Jules Verne or real technologies like the computer but developed earlier in an alternate history.

Other examples of steampunk contain alternate history-style presentations of “the path not taken” for such technology as dirigibles, analog computers, or such digital mechanical computers as Charles Babbage‘sAnalytical engine.

Steampunk is often associated with cyberpunk. They have considerable influence on each other and share a similar fan base, but steampunk developed as a separate movement. Apart from time period and level of technology, the main difference is that steampunk settings tend to be less dystopian.

Various modern utilitarian objects have been modded by individual artisans into a pseudo-Victorian mechanical “steampunk” style, and a number of visual and musical artists have been described as steampunk.

–Wikipedia

Again Thank you to Kate and all her hard work and effort in collaborating and helping us produce this production.  Please forgive me for the cell phone photos of the renderings they really are beautiful!